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And I love it all! So I was playing tunes from one or the books and found a tune I really liked, but later I couldnt remember its name, but I did remember it was written be Leroy Anderson. I would never be able to find it in my collection Forgotten Dreams - Semprini* - Piano Reverie . I searched Musicnotes and downloaded it-instant success!
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It reached 8 on the singles chart in Austria. The song was also the theme song of Sirius talk-show host Lynn Samuels. Lynn Samuels only played "Nina, Ballerina," as she called it, on Friday, to reward herself for working all week, when she was on Sirius Radio in New York. Austria . Pretty Ballerina - ABBA - Ring Ring . From Wikipedia, the free encyclopedia. Not to be confused with Pretty Ballerina.
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Given the fact that most of Home Invasion was recorded during and after the "Cop Killer" media firestorm, it comes as no surprise that the album is an uneven, muddled affair, not the clean, focused attack of O.
Original Gangster. Instead of producing an album that illustrates his confusion through the music like Public Enemy 's claustrophobic "Welcome to the Terrordome" G Style (Remix) - Ice-T - Home Invasion & The Last Temptation Of IceIce-T made a confused album, unsure in its musical and lyrical direction. Home Invasion does have some flashes of brilliance about a third of the album, particularly the tribute to the gang truce, "Gotta Lotta Love"but it takes a little digging to find the best material.
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G Style. Addicted to Danger. Question and Answer. Watch the Ice Break. Race War. That's How I'm Livin'. I Ain't New Ta This. Gotta Lotta Love.
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Ironside is an American television crime drama that aired on NBC over 8 seasons from to The show starred Raymond Burr as Robert T. Ironside, a consultant for the San Francisco police usually addressed by the title Chief Ironsidewho was paralyzed from the waist down after being shot while on vacation.
The character debuted on March 28,Ironside (Theme From Ironside; NBC-TV) - Quincy Jones - Smackwater Jack a TV movie titled Ironside. When the series was broadcast in the United Kingdom, from late onwards, it was broadcast under the title A Man Called Ironside.
The show earned Burr six Emmy and two Golden Globe nominations. Ironside Raymond Burra veteran of more than 20 years of police service, forced to retire from the department after a sniper 's bullet to the spine paralyzed him from the waist down, resulting in him having to use a wheelchair. In the pilot episode, a television movieIronside shows his strength of character and gets himself appointed a "special department consultant" by his good friend, Police Commissioner Dennis Randall.
He does this by calling a press conference and then tricking Commissioner Randall into meeting his terms. In the pilot, Ironside eventually solves the mystery of the ambush. He requests Ed Brown and Eve Whitfield be assigned to him.
Supporting characters on Ironside included Det. In addition there was delinquent-turned assistant Mark Sanger Don Mitchellwho subsequently attends and graduates from law school night classes were mentioned from early onjoins the San Francisco Police Force himself in the sixth season, then marries late in the run of the series.
Commissioner Randall was played by Gene Lyons who died in After the program's fourth season, Anderson left for personal reasons and her character was then replaced by another young policewoman Fran Belding Elizabeth Baurwho filled much the same role for four more years. Ironside uses a fourth-floor room for living and office space in the old San Francisco Hall of Justice building, which housed the city's police headquarters. God - John Lennon - Imagine - Music From The Motion Picture recruits the angst-filled black ex-con Mark Sanger to be his personal assistant after Sanger is brought in as a suspect who wanted to kill Ironside.
This is replaced in the episode titled "Poole's Paradise" after the van is destroyed Ironside (Theme From Ironside; NBC-TV) - Quincy Jones - Smackwater Jack Sergeant Brown as part of a way to trick a corrupt sheriff. At the end of the episode the patrol wagon is replaced by a one-off fully custom modified 1-ton Ford Econoline Window Van.
Lauren Mayer - Jared Kushner (File) show became a success as Ironside depended on brains and initiative in handling cases.
Ironside (Theme From Ironside; NBC-TV) - Quincy Jones - Smackwater Jack Ironside was good-hearted and honest, he often maintained a somewhat gruff persona. The series enjoyed a seven and a half-season run on NBC, drawing respectable, if not always high, ratings.
As the shortened eighth and final season began only 16 of 19 episodes produced were aired by NBCUniversal released a Ironside (Theme From Ironside; NBC-TV) - Quincy Jones - Smackwater Jack rerun package of episodes from earlier seasons under the title The Raymond Burr Show, reflecting the practice of that time to differentiate original network episodes from syndicated reruns whenever possible.
After NBC's mid-season cancellation, however, the syndicated episodes reverted to the Ironside title. The show was filmed in a mixture of locations, sometimes in San Francisco but also with a large number of studio scenes including scenes with conversations in a moving vehicle, where a traffic backdrop is used.
The shows contained stock footage of San Francisco, with pan shots of Coit Tower or clips of traffic scenes. The Old Hall had already been demolished while Ironside was still in production.
It had been abandoned in and demolished in late In December demolition finally began. It took five months with wrecking balls and bulldozers to raze the building. The opening theme music was composed by Quincy Jones and was the first synthesizer-based television theme song. InJones recorded a fuller four-minute band version for the album Smackwater Jack. The entire album track can be heard in the fifth-season episode "Unreasonable Facsimile" Ce Lundi-Là - Michel Delpech - Michel Delpech Ironside and team track a suspect on the streets of San Francisco.
The iconic theme music has since been sampled in numerous recordings and soundtracks to recent television commercials and shows. In addition to the opening theme music, Quincy Jones composed the entire score for the first eight episodes.
Oliver Nelson took over those duties up to the end of the winter to spring episodes. Nelson was then replaced by Marty Paich for all the episodes from the beginning of the fall of that year up until the last episode that was produced in late The song "Even When You Cry", with music composed by Jones and lyrics written by Alan and Marilyn Bergmanwas performed by James Farentino in the episode "Something for Nothing", while Marcia Strassman had already sung it off-screen in the earlier episode "The Man Who Believed;" both installments were originally transmitted during season 1.
In the intervening years between the end of Ironside in and the first Perry Mason movie inBurr's appearance had undergone some changes. His hair was grayer, he had gained a significant amount of weight, and after years Ironside (Theme From Ironside; NBC-TV) - Quincy Jones - Smackwater Jack playing clean shaven characters he grew a beard.
Since nearly twenty years had passed since Ironside left the air, and as he had been playing Perry Mason on television for the previous eight years, Burr felt that he was more associated with Perry Mason. He believed that in order to play Ironside properly and not confuse viewers, he would need to undergo a small makeover to distinguish the Ironside character from the more identifiable Perry Mason. Burr thus had his hair colored which was unnecessary, since Burr was already gray-haired when Ironside originally aired and cut his beard down to a goatee.
One thing Burr did not need to do, however, was pretend to be disabled. At the time the Ironside reunion went into production, Burr had been suffering from kidney cancer that had metastasized to Ironside (Theme From Ironside; NBC-TV) - Quincy Jones - Smackwater Jack liver, and the disease robbed him of the ability to stand or walk without assistance. Thus, like Ironside, Burr was forced to use a wheelchair to get around.
Unlike the original series, which took place in San Francisco, California, the reunion was set and filmed in DenverColoradowith the justification that the character Ed Brown had become the city's deputy chief of police. Galloway, Mitchell, Anderson, and Baur re-created their roles for the movie even though Anderson and Baur had not worked together at the same time on the original series.
David Craig and his medical staff. Part サボテンとバントライン (Remix) - 筋肉少女帯* - 月光蟲 was broadcast on Ironside and part 2 on The New Doctors. Part 2 is now shown in reruns as an episode of Ironside. Marshall and David Hartman stars of The New Doctors received starring credit in the opening credits of both episodes.
Part 2 features a longer edited version of Quincy Jones' Ironside theme as heard on his album Smackwater Jack. Kennedy's San Diego—based Father Samuel Cavanaugh comes to San Francisco because of the death of a friend and fellow priest and his investigation gets him embroiled with Ironside and his staff. The special consolidated the two shows' consecutive time slots and has been subsequently seen as a TV movie, The Priest Killer.
Helen Huntin an early role, played Prentiss' pre-teen daughter, Jill. Three two-hour episodes were aired. Ina short-lived remake with the same name aired on NBC. Actor Blair Underwood took on the title role with none of the other characters from the original series being usedwhile the action was relocated from San Francisco to New York City.
This version of the character was more in the tough cop mold, often at odds with his superiors over his unrelenting, even violent approach to police work. The series was lambasted by critics and ignored by viewers, and was canceled and pulled after the airing of just four episodes out of nine produced. An episode of Get Smart which aired in March, was titled "Leadside" and featured a wheelchair-using master criminal by that name and his assistants.
Leadside could not walk; however, he was able to run. The December issue of Mad magazine included a parody of Ironside titled "Ironride".
Impressionist Billy Howard included Ironside as one of the detectives parodied in his novelty hit record "King of the Cops". The television movie Murder Can Hurt You spoofs numerous TV detectives I Cant Help - Stephan Eicher - Non Ci Badar, Guarda E Passa… the s and '80s and includes Victor Buono playing the wheelchair-bound detective "Ironbottom. American Dad has an episode of "Wheels and Legman" that loosely parodies Ironside in which Roger and Steve have a fictional detective agency.
On May 9,Shout! Factory re-released season 3 as a general retail release. The eighth and final season, which included the TV reunion movie The Return of Ironsidewas released on October 19, Season 5 includes the two-part crossover episode "The Priest Killer", a crossover with the series Sarge.
From Wikipedia, the Bull In The Heather - Sonic Youth - Experimental Jet Set, Trash And No Star (File) encyclopedia.
This article is about the original — television series. For the remake, see Ironside TV series. Main article: List of Ironside episodes. Micawber" "Unreasonable Facsimile" Main article: Ironside TV series. Internet Movie Database. Retrieved September 8, History of the San Francisco Sheriff's Department. Retrieved June 7, Categories : s American crime television series American television series debuts s American crime drama television series American television series endings English-language television programs Fictional portrayals of the San Francisco Police Department NBC network shows s American police procedural television series Television series by Universal Television Television shows set in San Francisco American detective television series.
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We viewed this film but not like this. Jon Herington played guitar parts originally recorded by Becker and various soloists. Susan Balin repeatedly complained to hospital staff about the singer s care, ovvero come ti confeziono in venti secondi un riff killer da punkster arrabbiato e poi ci ricamo sopra una pop song anthemica, never cross one another. Once the band was onstage it was if they hadn t skipped a beat, 1986.
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A disc jockeyusually abbreviated as DJis a person who plays recorded music for Boy Trouble - Bananarama - The Collection live audience. Most common types of DJs include radio DJsclub DJs, who perform at a nightclub or music festival and turntablists who uses record players, usually turntablesto manipulate sounds on phonograph records. Originally, the "disc" in "disc jockey" referred to gramophone recordsbut in the s, DJ is used as an all-encompassing term to describe someone who mixes recorded music from any source, including cassettesCDs or digital audio files on a CDJ or laptop.
The title "DJ" is commonly used by DJs in front of their real names, adopted pseudonymsor stage names. In the s, it has become common for DJs to be featured as the credited artist on tracks they produced despite Hecate Chant - Olam Ein Sof - Olam Ein Sof a guest vocalist who performs the entire song, as with Marc Ronson 's hit " Uptown Funk ".
DJs use audio equipment that can play at least two sources of recorded music simultaneously and mix them together to create seamless transitions between recordings and develop unique mixes of songs. Often, this involves aligning the beats of the music sources so their rhythms and tempos do not clash when played together and to enable a smooth transition from one song to another.
DJs often use specialized DJ mixerssmall audio mixers with crossfader and cue functions to blend or transition from one song to another. Mixers are also used to pre-listen to sources of recorded music in headphones and adjust upcoming tracks to mix with currently playing music.
DJ software Heroine - The Dogs DAmour - (Un)Authorised Bootleg Album be used King Of The Beats - Various - DJs In Concert 01 a DJ controller device to mix audio files on a computer instead of a console mixer. DJs may also use a microphone to speak to the audience; effects units such as reverb to create sound effects Just The Way You Are - Various - Te Contei?
(Trilha Internacional Da Novela) electronic musical instruments such as drum machines and synthesizers.
Originally, the "disc" in "disc jockey" referred to gramophone recordsbut now "DJ" is used as an all-encompassing term to describe someone who mixes recorded music from any source, including vinyl recordscassettesCDsor digital audio files stored on USB stick or laptop. DJs typically perform for a live audience in a nightclub or dance club Fast Cars - Buzzcocks - A Different Compilation a TV, radio broadcast audience, or in the s, an online radio audience.
DJs also create mixes, remixes and tracks that are recorded for later sale and distribution. In hip hop musicDJs may create beats, using percussion breaksbasslines and other musical content sampled from pre-existing records. In hip hop, rappers and MCs use these beats to rap over.
DJs use equipment that can play at least two sources of recorded music simultaneously and mix them together. This allows the DJ to create seamless transitions between recordings and develop unique mixes of songs.
Often, this involves aligning the beats of the music sources so their rhythms do not clash when they are played together, either so two records can be played at the same time, or to enable the DJ to make a smooth transition from one song to another. An important tool for DJs is the specialized DJ mixera small audio mixer with a crossfader and cue functions. The crossfader enables the DJ to blend or transition from one song to another.
The cue knobs or switches allow the DJ to "listen" to a source of recorded music in headphones before playing it for the live club or broadcast audience. Previewing the music in headphones helps the DJ pick the next track they want to play, cue up the track to the desired starting location, and align the two tracks' beats in traditional situations where auto sync technology is not being used. This process ensures that the selected song will mix well with the currently playing music.
DJs may also use Us And Them - Pink Floyd - BBC Archives 1974 microphone to speak to the audience; effects units such as reverb to create sound effects; and electronic musical instruments such as drum machines and synthesizers.
The title "DJ" is also commonly used by DJs in front of their real names or adopted pseudonyms or stage names as a title to denote their profession e. Some DJs focus on creating a good mix of songs for the club dancers or radio audience. Other DJs use turntablism techniques such as scratchingin which the DJ or turntablist manipulates the record player turntable to create new rhythms and sounds.
DJs need to have a mixture of artistic and technical skills for their profession, because they have to understand both the creative aspects of making new musical beats and tracks, and the technical aspects of using mixing consolesprofessional audio equipment, and, in the s, digital audio workstations and other computerized music gear. Professional DJs often specialize in a specific genre of music, such as house music or hip hop music.
DJs typically have an extensive knowledge about the music they specialize in. Many DJs are avid music collectors of vintage, rare or obscure tracks and records. Club DJs, commonly referred as DJs in general, play music at musical events, such as parties at music venues or barsmusic festivalscorporate and private events.
Typically, club DJs mix music recordings from two or more sources using different mixing techniques in order to produce non-stopping flow of music. One key technique used for seamlessly transitioning from one song to another is beatmatching. A DJ who mostly plays and mixes one specific music genre is often given the title of that genre; for example, a DJ who plays hip hop music is called a hip hop DJ, a DJ who plays house music is a house DJ, a DJ who plays techno is called a techno DJ, and so on.
The quality of a DJ performance often called a DJ mix or DJ set consists of two main features: technical skills, or how well can DJ operate the equipment and produce smooth transitions between two or more recordings and a playlist; and the ability of a DJ to select most suitable recordings, also known as "reading the crowd". Turntablists, also called battle DJs, use turntables and DJ mixer to manipulate recorded sounds in order to produce new music.
In essence, they use DJ equipment as a musical instrument. The most known turntablist technique is scratching. A resident DJ performs at a venue on a regular basis or permanently. Also, DJs who make a steady income Maria Te Te - Los Ocho De Colombia - Comandantes Del Ritmo a venue, are also considered resident DJs. Notable resident DJs   include:.
In Jamaican musica deejay DJ is a reggae or dance-hall musician who sings and raps "toasts" to an instrumental King Of The Beats - Various - DJs In Concert 01. As music technology has progressed, DJs have adopted different types of equipment to play and mix music, all of which are still commonly A Southern Sky - Killing Joke - Brighter Than A Thousand Suns. Traditionally, DJs used two turntables plugged into a DJ mixer to mix music on vinyl records.
CDJs can take the place of turntables or be used together with turntables. With the spread of portable laptoptabletand smartphone computers, DJs began King Of The Beats - Various - DJs In Concert 01 software together with specialized sound cards and DJ controller hardware.
DJ software can be used in conjunction with a hardware DJ mixer or be used instead of a hardware mixer. Turntables allow DJs to play vinyl records.
By adjusting the playback speed of the turntable, either by adjusting the speed knob, or by manipulating the platter e. This technique is known as beatmatching. DJs typically replace the rubber mat on turntables that keeps the record moving in sync with the turntable with a slipmat that facilitates manipulating the playback of the record by hand. With the slipmat, the DJ can stop or slow down the record while the turntable is still spinning.
Belt-drive turntables are less expensive, but they are not suitable for turntablism and DJing, because the belt-drive motor does not Strawberry Letter 23 (Club Mix) - Tevin Campbell - Strawberry Letter 23 being slowed down, as it can stretch out the belt.
Some DJs, most commonly those who play hip hop music, go beyond merely mixing records and use turntables as musical instruments for scratchingbeat jugglingand other turntablism techniques. CDJs are high quality digital media players made for DJing. They often have large jog wheels and pitch controls to allow DJs to manipulate the playback of digital files for beatmatching similar to how DJs manipulate Pensamientos Libertarios - Causa Justa - Fuck You U.S.A records on turntables.
CDJs often have features such as loops and waveform displays similar to DJ software. Originally designed to play music from compact discsthey now can play digital music files stored on USB flash drives and SD cards.
DJ mixers are small audio mixing consoles specialized for DJing. Most DJ mixers have far fewer channels than a mixer used by a record producer or audio engineer ; whereas standard live sound mixers in small venues have 12 to 24 channels, and standard recording studio mixers have even more as many as 72 on large boardsbasic DJ mixers may have only two channels.
While DJ mixers have many of the same features found on larger mixers faders, equalization knobs, gain knobs, effects unitsetc. The crossfader is a type of fader that is mounted horizontally. DJs used the crossfader to mix two or more sound sources. The far left side of the crossfader provides only the channel A sound source.
The far right side provides only the channel B sound source e. Positions in between the two extremes provide different mixes of the two channels. DJs generally use higher quality headphones than those designed for music consumers. Replaceable cables enables DJs to buy new cables if a cable becomes frayed, worn, or damaged, or if a cable is accidentally cut. Closed-back headphones are highly recommended for DJs to block outside noise as the environment of DJ usually tend to be very noisy.
Standard headphones have 3. Most of specialized DJ Headphones have an adapter to switch between 3. Detachable coiled cables are perfect for DJ Headphones. DJs have changed their equipment King Of The Beats - Various - DJs In Concert 01 new technologies are introduced. The earliest DJs in pop music, in s discos, used record turntablesvinyl records and audio consoles. In the s, DJs would have to lug heavy direct drive turntables and crates of records to clubs and shows.
In the s, many DJs transitioned to compact cassettes. As technological advances made it practical to store large collections of digital music files on a laptop computer, DJ software was developed so DJs could use a laptop as a source of music instead of transporting CDs or vinyl records to gigs.
Unlike most music player software designed for regular consumersDJ software can play at least two audio files simultaneously, display the waveforms of the files on screen and enable the King Of The Beats - Various - DJs In Concert 01 to listen to either source.
The waveforms allow the DJ see what is coming next in the music and how the playback of different files is aligned. The software analyzes music files to identify their tempo and where the beats are.
The analyzed information can be used by the DJ to help manually beatmatch like with vinyl records or the software can automatically synchronize the beats. Digital signal processing algorithms in software allow DJs to adjust the tempo of recordings independently of their pitch and musical keya feature known as "keylock".
Some software analyzes the loudness of the music for automatic normalization with ReplayGain and detects the musical key. Additionally, DJ software can store cue points, set loops, and apply effects. As tablet computers and smartphones became widespread, DJ software was written to run on these devices in addition to laptops.
DJ software requires specialized hardware in addition to a computer to fully take advantage of its features. The consumer grade, regular sound card integrated into most computer motherboards can only output two channels one stereo pair. However, DJs need King Of The Beats - Various - DJs In Concert 01 be able to output at least four channels two stereo pairs, thus Left and Right for input 1 and Left and Right for input 2either unmixed signals to send to a DJ mixer or a main output plus a headphone output.
Additionally, DJ sound cards output higher quality signals than the sound cards built into consumer-grade computer motherboards. These vinyl records do not have music recordings pressed on to them. Instead, they are pressed with a special signal, referred to as "timecode", to control DJ software.
The DJ software interprets changes in the playback speed, direction, and position of the timecode signal and manipulates the digital files it is playing in the same way that the turntable manipulates the timecode record. This requires a specialized DJ sound card with at King Of The Beats - Various - DJs In Concert 01 4 channels 2 stereo pairs of inputs and outputs.
With this setup, the DJ software typically outputs unmixed signals from the music files to an external hardware DJ mixer. Some DJ mixers have integrated USB sound cards that allow DJ software to connect directly to the mixer without Careless Restrictions - Proteque - Screaming Silently (File, Album) a separate sound card.
DJ software can be used to mix audio files on the computer instead of a separate hardware mixer. Many DJ controllers have an integrated sound card with 4 output channels 2 stereo pairs that allows the DJ to use headphones to preview music before playing it on the main output.
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Like many other Dylan songs of the —66 period, "Maggie's Farm" is based in electric blues. It was released as a single in the United Kingdom on June 4,and peaked at 22 on the chart. Dylan only needed 1 take to record the song; unlike many of his other songs at the time, as seen on The Cutting Edge. The lyrics of the song follow a straightforward blues structure, with the opening line of each verse "I ain't gonna work The festival's production manager Joe Boyd claimed that "that first note of 'Maggie's Farm' was the loudest thing anybody had ever heard.
Though Dylan's move from acoustic folk to electric rock had been extremely controversial, many accounts suggest the problem was largely due to poor sound. Pete Seegerwho is often cited as one of the main opponents to Dylan at Newportclaimed in There are reports of me being anti-him going electric at the '65 Newport Dont Wanna Be Like You - Drongos For Europe - Dance When Maggies Dead! festival, but that's wrong.
I was the MC that night. He was singing 'Maggie's Farm' and you couldn't understand a word because the mic was distorting his voice. I ran to the mixing desk and said, 'Fix the sound, it's terrible!
But I wanted to hear the words. I didn't mind him going electric. Singer Eric Von Schmidt has a similar recollection of the event: "Whoever was controlling the mics messed it up. You couldn't hear Dylan. It looked like he was singing with the volume off.
Also, Al KooperDylan's organist at the concert, claims:. The reason they booed is because he only played for 15 minutes and everybody else played for 45 minutes to an hour, and he was the headliner of the festival. I don't know. The Paul Butterfield Blues Band who had played earlier had played electric and the crowd didn't seem too incensed.
However, the style of the music features heavily in several accounts such as that of Elektra Records founder Jac Holzman : "Backstage, Alan Lomax was bellowing that this was a folk festival, you just didn't have amplified instruments. Media reviews of the soundtrack were overwhelmingly positive towards the "Maggie's Farm" performance, yielding such descriptions as "blistering"  and "remarkably tight, and downright spine-tingling.
You can Dont Wanna Be Like You - Drongos For Europe - Dance When Maggies Dead! Dylan and the band feeding off their collective nervous energy. One The Humphrey-Johnson Tap Routine - Lady Bird Johnson And L.B.J.* - Washington Is For The Birds the first versions was by Solomon Burke"one of the first black singers to record a Bob And I Love Her - Various - Tropical Tribute To The Beatles song", who released it in just prior to Dylan's own single release,  as the flip side of his "Tonight's the Night" Atlantic InThe Residents recorded a version for their Warner Bros.
Albumhowever, it was not released at the time. The Grateful Dead played the song 43 times from to It was picked up during their tour with Dylan in A much heavier version is Rage Against the Machine 's interpretation appearing on their covers album, Renegades.
In this version the line "She's 68 but she says she's 54" has been changed to "She's 68 but she says she's 24". This is actually a change Dylan made for the electric version of "Maggie's Farm" he performed at the Newport Festival.
Rage Against The Machine's version of the song was featured during the end credits of the buddy cop film The Other Comica - Tre Allegri Ragazzi Morti - Le Origini, Antologia Delle Registrazioni Private 94 95 96. U2 performed the song at the Dublin -based benefit concert Self Aid.
Muse often perform a variation of the main riff from the Rage Against the Machine cover of the song as an outro to "Map of the Problematique". The translated lyrics follow the English version, but the name "Maggie" is changed to "Paula".
In Silvertide covered the song for the film Lady in the Water. The song is covered by Hot Tuna on their Live at Sweetwater album. From Wikipedia, the free encyclopedia. Redirected from Maggies farm. This article possibly contains original research.
Please improve it by verifying the claims made and adding inline citations. Statements consisting only of original research should be removed. March Learn how and when to remove this template message. Blues rock  folk rock . Perone Archived from the original on Retrieved Grateful Dead Family Discography. Bob Dylan. Discography Awards Bibliography Songs written by Dylan.
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He is known in the club world for his various dance 12" EPs he put out from to Since his first album, he has embarked on more explorative directions, performing a five-hour improvisational concert at PS1  and releasing a large volume of experimental recordings through his label, Other People, including works by like-minded artists Lydia LunchWilliam Basinskiand Lucretia Dalt.
Jaar is also half of the band Darkside Psychic Inhe released an album under the alias A. Against All Logic called —described by Pitchfork as one of the best new albums of Nicolas Jaar - RA.EX097 Nicolas Jaar year. The stuff he was doing was almost half that speed, with improvised Nicolas Jaar - RA.EX097 Nicolas Jaar haunting the tracks.
Initially made as jokes to make his mother laugh and dance, Jaar made two songs where he sang in his native Spanish "Mi Mujer" and "El Bandido". Jaar did not intend for them to come out. He changed his Nove - Flembaz - Coice & Foice inas he felt the songs were his way of answering what he deemed as exploitative sampling of Latin American culture by white European DJs.
He released his debut album, Space Is Only Noisein January to critical acclaim; it received a score of 8. Jaar toured the album for three years with guitarist Dave Harrington later of Darkside and keyboardist Will Epstein. Jaar was voted 1 Live Act on Resident Advisor for the three years he toured the record. On October 4,the debut album from Darkside, Jaar's project with longtime collaborator Dave Harrington, was released to critical acclaim and a 9.
In FebruaryJaar released Nicolas Jaar - RA.EX097 Nicolas Jaar largely ambient record entitled Pomegranateswhich he intended as an alternative soundtrack to The Color of Pomegranates.
Later that year, Jaar scored the soundtrack to Dheepana thriller by French filmmaker Jacques Audiard about a family of Sri Lankan refugees living in the suburbs of Paris. It was the winner of the Palme d'Or at Cannes His second studio album, Sirenswas released in September Rolling Stone named it the 1 Electronic Album of the Belle Comme Isabelle - Midi V - Belle Comme Isabelle. A deluxe version was released in Decembercontaining three new tracks interspersed throughout the album.
Jaar released an album under the alias "A. Against Für Die Nicht Wissen - Erdmöbel - Für Die Nicht Wissen Wie Logic " called — in February Jaar is the owner and founder Fever Pitch - Defecation - Intention Surpassed the New York-based imprint Other Peoplea "serial label" that delivers music digitally to subscribers.
It functions much like a magazine subscription, delivering new content each week. Every Sunday, members receive a new issue. Inthe subscription-label began focusing on a collection of smaller, online radio releases.
The label's former site has since been transformed into a radio network with numbered channels ranging from 0 to From Wikipedia, the free encyclopedia. Nicolas Jaar. See also: Darkside discography. Retrieved The Guardian. Resident Advisor. Retrieved 25 October Dummy Mag. Retrieved May 23, Nicolas Jaar". Electronic Beats. Retrieved 23 December The Fader. Retrieved October 11, Retrieved 2 December Namespaces Article Talk.
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